
Jackson Custom Shop 1982 Dinky Nitro Relic Club Amethyst Metallic
This guitar is a very dark purple finish that is difficult to capture in photography. It may look black to some, but in person the Dark Amethyst (purple) finish is visible.
The Jackson Custom Shop has turned out world-class custom guitars ranging from the fine to the fantastic ever since the Jackson name was first affixed to a headstock in 1980. The reason for this impressive longevity is simple: Jackson was a custom shop since the very beginning. Every Jackson guitar was an original, high-performing custom instrument.  Whereas some production guitar-makers open their own custom shops after reaching a certain age or level of success, Jackson existed from its early days as nothing but a custom shop, building distinctive and meticulously crafted instruments for a very exacting clientele. No design was too crazy, and no idea too far-fetched—if someone conceived it, Jackson’s talented, imaginative and occasionally demented craftsmen built it. This early emphasis on originality and even outlandish one-off instruments proved enormously influential for Jackson’s most famous and oft-copied body shapes.Â
It’s a longstanding tradition of U.S.-made greatness and devotion to craftsmanship that flourishes to this day.’
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
This guitar is a very dark purple finish that is difficult to capture in photography. It may look black to some, but in person the Dark Amethyst (purple) finish is visible.
The Jackson Custom Shop has turned out world-class custom guitars ranging from the fine to the fantastic ever since the Jackson name was first affixed to a headstock in 1980. The reason for this impressive longevity is simple: Jackson was a custom shop since the very beginning. Every Jackson guitar was an original, high-performing custom instrument.  Whereas some production guitar-makers open their own custom shops after reaching a certain age or level of success, Jackson existed from its early days as nothing but a custom shop, building distinctive and meticulously crafted instruments for a very exacting clientele. No design was too crazy, and no idea too far-fetched—if someone conceived it, Jackson’s talented, imaginative and occasionally demented craftsmen built it. This early emphasis on originality and even outlandish one-off instruments proved enormously influential for Jackson’s most famous and oft-copied body shapes.Â
It’s a longstanding tradition of U.S.-made greatness and devotion to craftsmanship that flourishes to this day.’
























